Edit Decision List

After filming the majority of my trailer and looking at my shot list, I created an edit decision list to follow my shot list.

This will help me when editing my trailer together on Final Cut Pro.

Shot number	Shot description (other notes)	Type of edit
1	Medium shot with a movement from eye level to high angle, handheld of little girl painting. Camera is behind girl.	Cut. Black and white.
2	Medium shot, eye level, capturing face of little girl. Handheld	Cut. Black and white.
3	Very high, medium shot of little girl, capturing image of painting. Camera moves down to focus on the painting still at a very high angle.	Cut. Black and white.
4	Medium shot, eye level, of bed as woman wakes up. Still	Fade out. Colour corrector- bleak, non-vibrant edit)
5	Extreme close up of eye and then lips. Eye Level. Still	Cut. Colour corrector- bleak, non-vibrant edit)
6	Close up, eye level of woman’s face. Still	Fade out. Colour corrector- bleak, non-vibrant edit)
7	Over the shoulder, eye level medium close up of woman. Woman is on left hand of shot as mirror reflection is captured on the right of the shot. Still	Fade in. Cut out. Blur effect in on right hand side but keep left hand side still. Colour corrector- bleak, non-vibrant edit)
8	Long, high angle, shot of newspaper. Zoom into headline of newspaper.	Cut. Slow speed. Colour corrector- bleak, non-vibrant edit)
9	Medium, eye level shot of woman opening door. Still	Cut. Colour corrector- bleak, non-vibrant edit)
10	Long, eye level, shot of masked man in bushes. Still	Cut. Colour corrector- bleak, non-vibrant edit)
11	Medium, high angle shot of woman looking through book. Still	Cut. Colour corrector- bleak, non-vibrant edit)
12	Close up; pan out, of knife on floor.	Cut. Colour corrector- bleak, non-vibrant edit)
13	Long shot, pan down from eye level, of masked man in car.	Cut. Colour corrector- bleak, non-vibrant edit)
14	Medium, eye level shot of little girl screaming. Still	Cut. Colour corrector- bleak, non-vibrant edit)
15	Close up, eye level of woman screaming. Still	Cut. Colour corrector- bleak, non-vibrant edit)
16	Long, eye level shot of woman running through trees.	Cut. Slow speed. Colour corrector- bleak, non-vibrant edit)
17	Medium shot, eye level, handheld shot of woman walking. (Camera is behind woman)	Cut. Colour corrector- bleak, non-vibrant edit)
18	Close up, eye level, handheld shot of woman walking. (Camera is behind woman)	Cut. Colour corrector- bleak, non-vibrant edit)
19	Extreme close up, eye level, handheld shot of woman walking and then turning. (Camera is behind woman)	Cut. Colour corrector- bleak, non-vibrant edit)
20	Close up, eye level shot of woman asleep. In background, masked man can be seen. Blurred shot at first but then zoom puts two characters in focus.	Cut. Zoom focus. Colour corrector- bleak, non-vibrant edit)

Titles in trailers

Psychological Thriller icons

Most psychological thrillers involve a particular icon that reappears throughout the film as part of a symbol or a reoccurrence to 'play' on the protagonist's mind, whether they appear in the protagonist's dream or real life, they have a big part to play in the psychological aspect.


Black Swan

Throughout Black Swan there are many different icons that show that the main character, Nina (Natalie Portman), is losing her mind. The main theme for the film is ballet, and further into this theme the ballet show is Swan Lake, so there are many different icons just from here.

Nina's personality reflects that of a swan, so the theme of bird is throughout. There is a close focus on the body with bones and joints. As well as this, there are lots of close ups to show these icons.

One of the biggest icons that reflects the swan theme is the use of black feathers throughout the film and trailer. At the very end of the trailer, in the pivotal moment, Nina pulls what appears to be a black feather from a scratch on her back.

This scene is important for the trailer because it at the very end of the trailer, leaving audiences asking what they just saw, why it happens and what happens after. The music also emphasises the frightening effect this scene does. It's a very good example of Barthes Hermeneutic Code, because nothing in the scene makes sense so it makes audiences question what has happened.

This icon and theme is also used in other promotions for the film. An example is the poster below.

Donnie Darko

The character, Donnie, has an imaginary friend who is wearing a bunny costume. This is referenced to throughout the film often. Not only does the character and icon of a rabbit appear in the film and the trailer, other forms of promotion use the icon.

 

There are a lot of shots of the protagonist seen through various canted and obscure camera angles. This shows the character's mind.

  

Other themes and icons throughout the trailer are fire and storms.

Although there are still many close ups used in Donnie Darko, the psychological visual aspect comes from the repetition of icons such as the bunny rabbit, storms and fires. All of these are used in the film's poster as well as the trailer.

 

The Machinst

The Machinst is about a man who works on a machine, so the title of the film is pretty obvious. This is a big part of the story, so the theme of machine sounds are very apparent throughout the trailer and the film. Another big icon of the film is the game 'hangman', which appears on the character's fridge unfinished and the character comes back to this game throughout the film and the trailer.

This icon is also used on the film's poster, because of it's importance to the film's story.

The main purpose for icons in the film is similar to that of Barthes Hermeneutic Code. The code is unexplained so audiences do not know the full story and therefore, they are forced to keep guessing throughout the film. It's similar to the Action/Proairetic Code because the icons do not raise questions. Most of all, the Barthes media theory is mostly applicable to psychological thriller codes because of the Semantic Code, which is the voice of the person showing a deeper meaning of the symbols.

A very important symbolic icon in The Prestige (2006 dir. Christopher Nolan)

For my trailer, I'm going to have a few different icons. My most used icon will be a mask, because my film is a psychological thriller about a young female's mind, the mask acts as a form of anonymity and the identity of the people wearing the mask is unknown. The mask is symbolic of captivity, anonymity and being trapped. Masks, especially plain masks like the one I am using, take away a person's identity and personality, so the mask is very symbolic which could hint to what the film's plot is about. 

Shot list

Shot	Description of the Shot
Shot 1	Medium shot with a movement from eye level to high angle, handheld of little girl painting. Camera is behind girl.
Shot 2	Medium shot, eye level, capturing face of little girl. Handheld
Shot 3	Very high, medium shot of little girl, capturing image of painting. Camera moves down to focus on the painting still at a very high angle.
Shot 4	Medium shot, eye level, of bed as woman wakes up. Still
Shot 5	Extreme close up of eye and then lips. Eye Level. Still
Shot 6	Close up, eye level of woman’s face. Still
Shot 7	Over the shoulder, eye level medium close up of woman. Woman is on left hand of shot as mirror reflection is captured on the right of the shot. Still
Shot 8	Long, high angle, shot of newspaper. Zoom into headline of newspaper.
Shot 9	Medium, eye level shot of woman opening door. Still
Shot 10	Long, eye level, shot of masked man in bushes. Still
Shot 11	Medium, high angle shot of woman looking through book. Still
Shot 12	Close up; pan out, of knife on floor.
Shot 13	Long shot, pan down from eye level, of masked man in car.
Shot 14	Medium, eye level shot of little girl screaming. Still
Shot 15	Close up, eye level of woman screaming. Still
Shot 16	Long, eye level shot of woman running through trees.
Shot 17	Medium shot, eye level, handheld shot of woman walking. (Camera is behind woman)
Shot 18	Close up, eye level, handheld shot of woman walking. (Camera is behind woman)
Shot 19	Extreme close up, eye level, handheld shot of woman walking and then turning. (Camera is behind woman)
Shot 20	Close up, eye level shot of woman asleep. In background, masked man can be seen. Blurred shot at first but then zoom puts two characters in focus.